Albert Brooks’ ‘Modern Romance’

September 1, 2012

Perhaps because I work in this business, or just because I love movies so much, I’m always asked to define which ones I think are the classics. To me, that’s simple: First, when it’s on, I have to watch it — no matter what. […]

My Father, the Soundman: Coming Full Circle on the Fox Lot

September 1, 2012

My anticipation was always a mixture of excitement and fear — excitement that I was going to the studio where my father made movies, but fear because the actual reason for the visit was to see the dentist, which, given my age, could mean the extraction of baby teeth. The fear usually won out. […]

The Busy Boom Years of Local 771

September 1, 2012

The 1980s were very busy years for the East Coast Editors Guild, Local 771, and the period of its highest level of membership. By 1987, more than 1,200 people were working in features and at the television networks. […]

Post-Production Pioneers: The Guild’s Earliest Members – East Coast

September 1, 2012

Television kept post-production people employed during the post-World War II years in New York. Feature film was a West Coast commodity, but the Madison Avenue advertising firms, such as J. Walter Thompson, Benton & Bowles and Hill & Knowlton, among others, were a major part of the “go-go” years in Manhattan. […]

Nonfictionality

September 1, 2012

‘A New History of Documentary Film’ firmly establishes itself as the most thorough overview of the evolution, achievement and future of the documentary film to date.  […]

THIS MONTH IN FILM HISTORY: Mercury Rising

September 1, 2012

What makes The Right Stuff one of the great films — one that celebrates an American spirit of achievement — is the zeal of the producers, director, actors, cinematographer Caleb Deschanel and post-production crew to create a documentary look with experimental techniques and editing. […]

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