About Rob Callahan
Rob Callahan is the Motion Picture Editors Guild’s National Organizer. He can be reached at RCallahan@editorsguild.com. Learn more about organizing with the Guild at www.editorsguild.com/Organize.

Resolve vs. Intransigence
The Key to Organizing a Workplace

February 16, 2018

An interminable freeze in New York. Thirty-eight minutes of existential dread in Hawaii. The grinding dysfunction of our political system nationwide. The loss of 30 seconds off the Doomsday Clock globally. The burnish has already worn off of 2018. So how are your resolutions coming along? […]

Vice Employees Go Union!

September 21, 2017

Post-production employees working on video for Vice Media have now won union representation! On Thursday, the company officially recognized the Motion Picture Editors Guild, IATSE Local 700, as the representative for its East Coast employees working in post on the company’s digital content […]

Contract High – Deluxe Digital Cinema Technicians Win Raises, Respect

August 4, 2017

In a nondescript Burbank falafel joint on a sweltering Sunday afternoon in July of last year, co-workers crowded around an impromptu conference table made up of several four-tops pushed together. A tacky film adhered to the furniture, as is typical of greasy spoons. Sweaty forearms clung stickily to gummy tabletops. […]

Digital Cinema Employees Demand Deluxe Raise Wages

January 23, 2017

The delegation of nearly twenty employees delivered a petition from the company’s roughly seventy unionized employees, calling upon their employer to negotiate in good faith to bring wage rates in line with industry standards. […]

Volunteerism and Voluntary Recognition

August 1, 2016

Almost two years ago, I met a lot of new friends and reconnected with many old ones walking the picket line in support of the striking crew of Shahs of Sunset. That strike afforded plenty of […]

Choose Your Box

November 1, 2015

In early October of this year, a group of employees at Leftfield Entertainment, a large reality television production company in New York, faced such a choice, set more or less explicitly in just such terms. And, only a few weeks earlier, the employees of Deluxe Culver City, an LA-area post-production facility, made effectively the same choice themselves, albeit not as explicitly framed. […]

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