Re-recording mixer Andy Nelson, CAS, brings to his craft several decades of experience in the art of balancing dialogue, music and sound effects in an immersive soundtrack that supports the director’s storytelling vision […]
During the past 35 years, Randy Thom, CAS, MPSE, has helped define the creative art of sound for feature films, and has been an inspiration to colleagues and assistants alike. Thom is this year’s recipient of the MPSE Career Achievement Award from the Motion Picture Sound Editors, which was presented at its 61st annual Golden Reel Awards, held at the Westin Bonaventure Hotel in Los Angeles February 16. […]
“There were several gun battles and a serious rocky fall that contained no traditionally scored music. The absence of music allowed our sound effects and Foley to take the soundtrack’s exclusive and full dynamic range.” – Wylie Stateman […]
The owners and participants in Formosa Group are all creatives who together with 10 other seasoned post professionals, comprise the talent pool of a new operation that opened for business in early 2013. […]
There are many instances when the partnership between these essential roles can bring an enhanced level of creativity to the final result.
Helming a re-recording crew during the preparation of an intricate motion picture soundtrack takes a unique combination of technical capabilities, people skills and an appreciation of sound and imagery. For many who know him, Donald O. Mitchell exemplifies all of these qualities and more. […]
A compilations of praise and memorable stories for award winning re-recording mixer Donald O. Mitchell. […]
‘Sound for Digital Video’ provides a valuable overview for those planning to enter the audio-for-video production business. […]
Sound editors and mixers need to be confident that their room acoustics are not skewing their judgment. […]
With movie-going audiences expecting fully immersive visuals from 3D presentations, the sound post-production community is fast playing catch-up with immersive surround-sound systems. […]
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