Assessing the Media Landscape for Common Ground

December 11, 2017

“The Storytellers Dilemma: Overcoming the Challenges in the Media Age” is meant for everyone who works in the media industries, whether in content creation, post-production finance or distribution. […]

‘Wonder’ Woman

December 8, 2017

Over the past two decades, editor Alisa Lepselter, ACE, has worked on a range of films. Her credits include a caper set in the cookie business, a farce focused on a filmmaker afflicted with blindness, and a crime story populated by England’s upper classes. […]

Wishful Shrinking

December 8, 2017

In a CNN.com article about picture editor Kevin Tent, ACE, on the occasion of his Academy Award nomination for cutting director Alexander Payne’s “The Descendants” (2011), actress Laura Dern was quoted as saying of the editor: “Kevin’s art lies in the genius of trusting human beings.” […]

Deaf Jam

December 8, 2017

Picture editor Affonso Gonçalves, ACE, and sound editor/sound designer/re-recording mixer Leslie Shatz solved a cinematic conundrum for director Todd Haynes’ “Wonderstruck.” […]

Disney’s Deus Ex Machine Shop

December 8, 2017

In the early days of the motion picture industry, progress often required that new technologies be innovated by a studio that was advancing the art of cinema. […]

December 8, 2017

The year was 1976. The place was the New York brownstone of editor Ralph Rosenblum, ACE. And the film was Woody Allen’s Annie Hall, released the following year to wide acclaim and four Oscar wins. One day after work, Allen and Susan E. Morse, ACE — later his main editor, then an assistant editor — found themselves leaving the cutting room at about the same time. […]

‘October’ Surprise
The Revolution Will Be Edited

December 8, 2017

After 90 years, the premiere of Sergei Eisenstein’s October on November 7, 1927 at Leningrad’s Bolshoi Theatre still endures as the most famous screening of an unparalleled motion picture epic that was never shown publicly in its entirety. […]

What Our Members Do: Marko Costanzo

December 1, 2017

“Foley artists create sounds in sync with actions seen on screen. We will make the footstep sounds for every character in a film, giving their steps the personality the actor portrays on camera.” […]

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