It’s funny how it has taken director Edward Zwick and editor Steven Rosenblum, A.C.E., eight films together to return again to their thirtysomething TV roots from the 1980s. […]
“Bring the work back into the cutting room” is the mantra of Terry Kelley, A.C.E. To save both money and time producing television shows and movies, picture editor Kelley has established a new workflow procedure that has proven successful on two television series—Showtime’s Brotherhood (2006-2008) and the conspiracy thriller Rubicon, which just finished its first season on AMC. […]
If ever a single feature film illustrated the painstaking effort editors go through to bring disparate parts together to create a greater whole, David O. Russell’s The Fighter would be that film. […]
We asked our erudite story analysts to weigh in on their favorites–– the films that left their mark, or ones that are revisited each year to mark the holiday season. […]
“I had no other recourse but to go to work…or pretend to…” – Norman B. Schwartz […]
Gore Verbinski’s longtime collaborator, Australian editor Craig Wood, spoke with CineMontage to discuss how Verbinski’s live-action crew handled the challenges of animation. […]
A List of Comic Book Superhero Appearances in Cinema and Television. […]
Perhaps some of these tales of superheroes can light a path for us to find the power within ourselves to effect some change and establish our own identities. […]
Who’s Afraid of Virginia Woolf? reflected many of the anxieties of the buttoned-down 1950s and 1960s. […]
There’s a revolution going on at JJ Abrams’ Bad Robot Productions and it has nothing to do with aliens, plane crashes or spies. It’s a change in the way music is being integrated into post-production. […]
©2016-2021 Motion Picture Editors Guild
