Oscar’s Favorite Re-Recording Mixers: 2017

February 10, 2017

The 89th Academy Awards nominees in the Best Sound Mixing category cover a broad cross section of films, ranging from the story of an alien invasion to betrayal in Libya, through a harrowing WWII battle, musical fun in the Big Orange and a pan-galactic escapade. […]

Oscar’s Favorite Sound Editors: 2017

February 10, 2017

On January 24, the Academy of Motion Picture Arts and Sciences revealed its list of nominees for the 2017 Oscars. The sound editing teams behind Arrival, Deepwater Horizon, Hacksaw Ridge, La La Land, and Sully were all nominated. CineMontage spoke to these sound editors about the challenges and highlights of working on their respective movies. […]

Oscar’s Favorite Film Editors: 2017

February 9, 2017

The 2017 Academy Award nominations for Best Achievement in Film Editing in 2016 offer a full array of vital work in five different movie genres: a haunting science fiction fantasy, a war story with an atypical hero, a really contemporary crime western, a Hollywood musical of Los Angeles itself, and an honest, inner-city coming-of-age drama. […]

What Our Members Do: Brad Engleking

February 2, 2017

“I mix and supervise feature films and episodic television. Since I live in a smaller market with limited union opportunities, I also work as a music editor on some movies.” […]

Digital Cinema Employees Demand Deluxe Raise Wages

January 23, 2017

The delegation of nearly twenty employees delivered a petition from the company’s roughly seventy unionized employees, calling upon their employer to negotiate in good faith to bring wage rates in line with industry standards. […]

1 2 3 4
UA-83546600-1