Documentary Roundtable: Finding the Thread
Documentary editors talk about their craft, how they approach their work and the impact of new technology.
Documentary editors talk about their craft, how they approach their work and the impact of new technology.
‘King Kong’ (1933) was a pioneering film in many ways, including post production. […]
The three filmmakers recently convened to discuss the concepts and the process behind the making of this film, as well as its relationship to the craft of editing. […]
After a decade of editing films at Spike Lee’s 40 Acres and a Mule, Leander Sales decided to instruct others in the craft. […]
Bruce Green feels that this mentorship was the key to his successful career and hopes that all editors and assistants take enough of an interest in someone to mentor him or her. […]
‘Cut To The Chase’ is one of the very best anecdotal histories of filmmaking in print. […]
“Let the editor do his job and cut it first before you come in.” Michael BerenBaum’s advice for directors […]
Ken Burns has always acknowledged the large part Paul Barnes, his chief picture editor, has played in the smooth operation and artistic prominence of Florentine Films. […]
CineMontage learned of the editor’s appreciation for collaboration—be it with her mentors, directors or assistants. […]
by Robin Rowe One of the biggest challenges for assistant editor David Bilow––Joe Hutshing’s right-hand man––in the post-production work on Lions […]
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