Oscar-Worthy Film Editors: 2016

February 1, 2016

This year’s Oscar nominees for Best Editing explore the economic collapse of Wall Street in 2008 as a black comedy; return to an iconic post-apocalyptic world, as well as a galaxy, far, far away; go on a metaphysical journey in the frozen wilderness; and provide an inside glimpse of The Boston Globe’s Pulitzer Prize–winning coverage of the Catholic Church sex scandal cover-up. […]

Oscar’s Favorite Re-Recording Mixers: 2015

February 1, 2015

This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]

Oscar’s Favorite Sound Editors: 2015

February 1, 2015

This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for a roller-coaster ride inside a wormhole and a black hole (Interstellar), and put us in the mindset of a has-been movie star going out of his mind (Birdman). […]

What if There Was an Oscar for Best Music Editing?

March 1, 2011

Whether they selected films or not, the music editors voiced a range of opinions about whether an award for Best Music Editing was even a good idea.  Their perspectives on the question provided some insights into the nature of their work. […]

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