Steve Maslow on ‘The Last Waltz’

May 2, 2018

In ‘The Last Waltz,’ released by United Artists 40 years ago in April 1978, director Martin Scorsese trained his cameras on what was intended to be the last concert of the Band at San Francisco’s Winterland Ballroom. […]

Doug Soesbe on ‘Meet the Parents’

April 6, 2018

‘Meet the Parents’ began life as a low-budget 1992 film of the same title. Through the years, assorted A-list directors flirted with the project without proceeding. […]

Terrence Malick’s ‘Days of Heaven’

February 16, 2018

October 1978. A weekday afternoon in Manhattan. I stumble into daylight, having just experienced something which has so floored me that I’m numb, twisted around, and can’t remember which subway takes me back downtown — so I start walking, trying to make sense of what I’d just seen. […]

John Bloom on ‘Who’ll Stop the Rain?’

January 11, 2018

In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through the ranks as an assistant editor to cut several films solo. […]

ACE Announces Eddie Awards Nominees

January 3, 2018

The American Cinema Editors (ACE) have announced nominations for the 68th Annual ACE Eddie Awards, recognizing outstanding editing in ten categories of film, television and documentaries. […]

Shaping the ‘Detroit’ Sound:
Paul N.J. Ottosson

December 29, 2017

On July 23, 1967, a police raid on an unlicensed after-hours bar in Detroit precipitated five days of major racial violence. A half century later, director Kathryn Bigelow presented a vivid perspective on this uprising and its place in our social history in the film ‘Detroit.’ […]

Deaf Jam

December 8, 2017

Picture editor Affonso Gonçalves, ACE, and sound editor/sound designer/re-recording mixer Leslie Shatz solved a cinematic conundrum for director Todd Haynes’ “Wonderstruck.” […]

1 2 3 20
UA-83546600-1