John Bloom on ‘Who’ll Stop the Rain?’

January 11, 2018

In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through the ranks as an assistant editor to cut several films solo. […]

ACE Announces Eddie Awards Nominees

January 3, 2018

The American Cinema Editors (ACE) have announced nominations for the 68th Annual ACE Eddie Awards, recognizing outstanding editing in ten categories of film, television and documentaries. […]

Shaping the ‘Detroit’ Sound:
Paul N.J. Ottosson

December 29, 2017

On July 23, 1967, a police raid on an unlicensed after-hours bar in Detroit precipitated five days of major racial violence. A half century later, director Kathryn Bigelow presented a vivid perspective on this uprising and its place in our social history in the film ‘Detroit.’ […]

‘Wonder’ Woman

December 8, 2017

Over the past two decades, editor Alisa Lepselter, ACE, has worked on a range of films. Her credits include a caper set in the cookie business, a farce focused on a filmmaker afflicted with blindness, and a crime story populated by England’s upper classes. […]

Wishful Shrinking

December 8, 2017

In a CNN.com article about picture editor Kevin Tent, ACE, on the occasion of his Academy Award nomination for cutting director Alexander Payne’s “The Descendants” (2011), actress Laura Dern was quoted as saying of the editor: “Kevin’s art lies in the genius of trusting human beings.” […]

Deaf Jam

December 8, 2017

Picture editor Affonso Gonçalves, ACE, and sound editor/sound designer/re-recording mixer Leslie Shatz solved a cinematic conundrum for director Todd Haynes’ “Wonderstruck.” […]

‘October’ Surprise
The Revolution Will Be Edited

December 8, 2017

After 90 years, the premiere of Sergei Eisenstein’s October on November 7, 1927 at Leningrad’s Bolshoi Theatre still endures as the most famous screening of an unparalleled motion picture epic that was never shown publicly in its entirety. […]

Tom Foligno on ‘The Aviator’

December 8, 2017

In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in the cutting room, however, but on the big screen. […]

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