Tom Foligno on ‘The Aviator’

December 8, 2017

In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in the cutting room, however, but on the big screen. […]

Catherine Harper on ‘Lost Highway’

November 22, 2017

Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’ […]

Breaking Traditional Sound Barriers

September 20, 2017

As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE). […]

Sound Supervising ‘Battle of the Sexes’

August 4, 2017

In 1973, the tennis court became an unlikely showcase for the heated battle of feminists and their foes. Bobby Riggs, a top tennis player in the 1940s and showman extraordinaire, challenged top female tennis players to try to beat him on the court. […]

Rick Alexander on ‘Ronin’

August 4, 2017

In 1998, when re-recording mixers Rick Alexander and Richard D. Rogers first met with director John Frankenheimer about working on “Ronin,” there were many subjects that could have been discussed. […]

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