Features
Roll, Cut, Print
Production mixer Chris Munro, sound editor Victoria Rose Sampson and re-recording mixer Leslie Shatz share their different points of view about sound. […]
Film
Features
Making Visual Music: an Interview with Walter Murch
Joseph “Jay” Duerr’s interview with Walter Murch. […]
Features
Digital Desperado: Robert Rodriguez’s HD Noir
Frank Miller’s Sin City represents a new breed of digital filmmaking. It’s a practical example of what the 4:4:4 HD filmmaking revolution is about and its creation is a demonstration of the workflow that filmmakers use to create digital films of striking image quality. […]
Features
‘Cinderella Man’s’ Dream Team Makes a Sound Fit For Ron Howard
The ‘Cinderella Man’ editorial crew all demonstrate a synchronization of minds as smooth as the high-tech machinery in front of them. […]
Features
Jonathan Lucas Unveils His Editing Secrets on ‘Corpse Bride,’
Technologically, this is a movie of many firsts. […]
Features
Method Man: Jay Rabinowitz Finds that the Film Tells Him How to Edit It
One of the joys of working in theatrical professions is the episodic nature one’s life can take, Editor Jay Rabinowitz, ACE, is one who has had this experience in spades. […]
Features
Mick Audsley Unlocks the Chamber of Secrets behind ‘Goblet of Fire’
Harry must grapple with a giant, fire-breathing Hungarian Horntail dragon and battle underwater demons in the Black Lake. Post-production was no less daunting. […]
Features
Editor & Cinematographer: Steve Mirkovich and Allen Daviau (Part 1)
Steve Mirkovich and Allen Daviau talk about problems with previews and video dailies, the longevity of 35mm film, changes in editorial styles and more.
Features
Altman’s Sound Theory
“Sound has been a very important element in my work. Consequently, it’s something I’ve always paid a lot of attention to.” – Robert Altman […]
Features
Brando Talks! and Superman Listens
“Brando’s voice and presence serve as a memory bridge back to that time.” – Craig Berkey supervising sound editor/sound designer […]
