Oscar’s Favorite Sound Editors: 2017

February 10, 2017

On January 24, the Academy of Motion Picture Arts and Sciences revealed its list of nominees for the 2017 Oscars. The sound editing teams behind Arrival, Deepwater Horizon, Hacksaw Ridge, La La Land, and Sully were all nominated. CineMontage spoke to these sound editors about the challenges and highlights of working on their respective movies. […]

Oscar’s Favorite Film Editors: 2017

February 9, 2017

The 2017 Academy Award nominations for Best Achievement in Film Editing in 2016 offer a full array of vital work in five different movie genres: a haunting science fiction fantasy, a war story with an atypical hero, a really contemporary crime western, a Hollywood musical of Los Angeles itself, and an honest, inner-city coming-of-age drama. […]

Oscar Worthy Sound Editors: 2016

February 1, 2016

The films of this year’s Oscar nominees in the Sound Editing category range from the story of a run-and-hide rebellion in post-apocalyptic Australia, to emergent threats to galactic peace, through an astronaut left behind on Mars by his crew, a frontiersman fighting for survival after a bear attack, and the unrelenting war on drugs. […]

Oscar-Worthy Film Editors: 2016

February 1, 2016

This year’s Oscar nominees for Best Editing explore the economic collapse of Wall Street in 2008 as a black comedy; return to an iconic post-apocalyptic world, as well as a galaxy, far, far away; go on a metaphysical journey in the frozen wilderness; and provide an inside glimpse of The Boston Globe’s Pulitzer Prize–winning coverage of the Catholic Church sex scandal cover-up. […]

Oscar’s Favorite Re-Recording Mixers: 2015

February 1, 2015

This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]

Oscar’s Favorite Sound Editors: 2015

February 1, 2015

This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for a roller-coaster ride inside a wormhole and a black hole (Interstellar), and put us in the mindset of a has-been movie star going out of his mind (Birdman). […]

1 2 3
UA-83546600-1