Book Review: How ‘The Exorcist’ Became THE Monster Horror Hit of the Early 1970s
The late filmmaker William Friedkin was fond of describing his 1973 horror masterpiece “The Exorcist” as being a meditation on “the mystery of faith.” […]
The late filmmaker William Friedkin was fond of describing his 1973 horror masterpiece “The Exorcist” as being a meditation on “the mystery of faith.” […]
By Kristin Marguerite Doidge Emmy Award-winning picture editor Stephanie Filo, ACE, has found herself at the center of several […]
“I knew the film we were going to make would have to depart from the 1985 movie in terms of tone – and that we’d have to find our own visual language that would carry on sonically,” Bazawule said. “As we navigated the trauma and abuse in the story, we knew the fantastical elements had to come from reality.” […]
For Alex, education never ends, he works on projects that offer inspiration and excitement. […]
The lights came on… Shock. Silence. “Oh man, we’re just working on a schlock low-budget Roger Corman sci-fi,” we thought. […]
Ray has an eclectic lane of projects from Jazzin at the White House to Jimmy Fallon’s “That’s My Jam!” Please join us in celebrating Ray Artis today! […]
“I can’t pick sides. That’s the great thing about being an editor.” […]
“Marty never wants to repeat himself,” said Schoonmaker, the three-time Oscar-winning editor best known for her work with director Martin Scorsese on film classics such as “Raging Bull” and “Goodfellas.” “He gets a great new idea he wants to challenge himself with, and I’m being challenged with him,” she added. “There’s never any boredom.” Their latest challenge is the Apple-financed $200 million production, “Killers of the Flower Moon,” adapted by the writer Eric Roth and Scorsese from the 2016 non-fiction book by David Grann. […]
“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.” […]
Working with film took Lame back to the dawn of her career. Lame noted that most editors her age and younger have worked only in the digital world, so the film workflow may not be familiar to them. “My first job was working on a film movie, ‘Before the Devil Knows You’re Dead.’ That was shot on film, the dailies were screened on film – everything. I feel lucky to have had that early opportunity to work with film.” […]
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