Guild’s Goal for 2018:
More Member Involvement

February 16, 2018

More members attended our annual meetings on both coasts than have come in years (I hope it wasn’t the beer tasting alone!) and, apart from Board of Directors nominations, a long and lively discussion of working conditions occurred. […]

Oscar’s Favorite Picture Editors 2018

February 9, 2018

The 2018 Academy Award nominations for Best Achievement in Film Editing in 2017 focus on five distinctive approaches to movie storytelling, each with itsown effective rhythms and emotional tones. […]

John Bloom on ‘Who’ll Stop the Rain?’

January 11, 2018

In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through the ranks as an assistant editor to cut several films solo. […]

ACE Announces Eddie Awards Nominees

January 3, 2018

The American Cinema Editors (ACE) have announced nominations for the 68th Annual ACE Eddie Awards, recognizing outstanding editing in ten categories of film, television and documentaries. […]

‘Wonder’ Woman

December 8, 2017

Over the past two decades, editor Alisa Lepselter, ACE, has worked on a range of films. Her credits include a caper set in the cookie business, a farce focused on a filmmaker afflicted with blindness, and a crime story populated by England’s upper classes. […]

Wishful Shrinking

December 8, 2017

In a CNN.com article about picture editor Kevin Tent, ACE, on the occasion of his Academy Award nomination for cutting director Alexander Payne’s “The Descendants” (2011), actress Laura Dern was quoted as saying of the editor: “Kevin’s art lies in the genius of trusting human beings.” […]

Deaf Jam

December 8, 2017

Picture editor Affonso Gonçalves, ACE, and sound editor/sound designer/re-recording mixer Leslie Shatz solved a cinematic conundrum for director Todd Haynes’ “Wonderstruck.” […]

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