Hollywood Ending: Alisa Lepselter Cut What May – or May Not – Be Woody Allen’s Last Film, ‘Coup de Chance’
“In making a film, it is key to have a first-rate cinematographer and a first-rate editor,” Allen said. […]
“In making a film, it is key to have a first-rate cinematographer and a first-rate editor,” Allen said. […]
“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.” […]
For director Robert Zemeckis, Schmidt was the editor of, among other classic films, the “Back to the Future” trilogy (1985, 1989, 1990), “Forrest Gump” (1994), and “Contact” (1997). He won two Oscars during his multi-decade partnership with Zemeckis: for “Who Framed Roger Rabbit?” (1988) and for “Forrest Gump.” […]
NOVEMBER 15, 1930 – OCTOBER 22, 2023 Ralph Martin passed away in October, just shy of 93 years old. He […]
JANUARY 23, 1940 – NOVEMBER 8, 2023 It is with an extremely heavy heart we announce the passing of our […]
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
“I didn’t go to film school with a background in filmmaking at all. I’d never cut anything together. When I got into the editing room, I realized that this was where I was going to learn the most.” […]
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
“I think my passion shone through and that’s how I wound up working on Season One.” […]
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