As the new comedy The Last Word premiered at the Sundance Film Festival January 24, editor Julia Wong, ACE, was recalling to CineMontage what a great experience she had cutting the movie. “Director Mark Pellington was a great collaborator and so much fun to work with,” she says. “We hit it off right away.” […]
In the countless comedies he has written, directed and starred in during his 50-year career, Woody Allen comes across as a chatterbox. His on-screen persona is forever opining, grousing or whining about one thing or another. […]
Asked to reflect on his many career achievements and adventures while he’s sitting in his Los Angeles living room on a warm October afternoon, Oscar-winning editor Jerry Greenberg, ACE, briefly hesitates. […]
Few people are privy to the secrets of filmmaker Christopher Nolan’s new science-fiction adventure Interstellar — and those who are aren’t talking. One person who knows Interstellar more intimately than most is editor Lee Smith, ACE, […]
It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s because it was pivotal that the organic nature of the aesthetic worked for soundscape and imagery alike.
From the CineMontage archives, a 2009 interview with the award-winning editor, Dann Cahn, about the beginnings of the I Love Lucy show and the ground-breaking editorial requirements for the three-camera production. […]