Julia Wong Gets ‘The Last Word’

February 15, 2017

As the new comedy The Last Word premiered at the Sundance Film Festival January 24, editor Julia Wong, ACE, was recalling to CineMontage what a great experience she had cutting the movie. “Director Mark Pellington was a great collaborator and so much fun to work with,” she says. “We hit it off right away.” […]

Wendy Greene Bricmont on ‘Annie Hall’

February 15, 2017

In the countless comedies he has written, directed and starred in during his 50-year career, Woody Allen comes across as a chatterbox. His on-screen persona is forever opining, grousing or whining about one thing or another. […]

Sound Support

August 1, 2016

Many of the people who work in the production and post-production communities are, by their very nature, unsung heroes. […]

Sabine’s Plan

June 1, 2016

Veteran New York indie film editor Sabine Hoffman, ACE, discovered film editing and began her career as a student in Berlin. […]

What Does A Wormhole Sound Like?

November 1, 2014

It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s because it was pivotal that the organic nature of the aesthetic worked for soundscape and imagery alike.

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Still Loving ‘Lucy’

November 1, 2009

From the CineMontage archives, a 2009 interview with the award-winning editor, Dann Cahn, about the beginnings of the I Love Lucy show and the ground-breaking editorial requirements for the three-camera production. […]

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