Realizing a complex film or TV soundtrack takes a lot of care and attention, together with an advanced degree of collaboration between sound effects editors and re-recording mixers specializing in the same. […]
This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]
It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s because it was pivotal that the organic nature of the aesthetic worked for soundscape and imagery alike.
Re-recording mixer Andy Nelson, CAS, brings to his craft several decades of experience in the art of balancing dialogue, music and sound effects in an immersive soundtrack that supports the director’s storytelling vision […]
Good acoustics are simple,” states Bruce Black, director of engineering with MediaRooms Technology. The company recently performed analysis of re-recording rooms at Sony Pictures Entertainment’s Sound Department in Culver City, as well as re- recording mixer Paul Massey’s Sound Signal facility in Ojai, California, and rooms at other LA-area post sound houses, and also provided acoustical consultation for Technicolor Burbank on upgrades to its mix room. […]