Sound Judgment

February 15, 2017

As the Motion Picture Editors Guild enters its 80th anniversary year, it’s important to recognize that 2017 also marks the 90th anniversary of the commercial ascendance of motion pictures with synchronized sound, which were called “talkies.” […]

Sound Mission to Cuba

February 15, 2017

Over the past decade, production sound mixer Chris Newman, CAS — who has been something of a mentor to me during my whole career — has been retired from working on the set and has been teaching a production sound recording class at the School of Visual Arts in New York. […]

Oscar’s Favorite Re-Recording Mixers: 2017

February 10, 2017

The 89th Academy Awards nominees in the Best Sound Mixing category cover a broad cross section of films, ranging from the story of an alien invasion to betrayal in Libya, through a harrowing WWII battle, musical fun in the Big Orange and a pan-galactic escapade. […]

What Our Members Do: Brad Engleking

February 2, 2017

“I mix and supervise feature films and episodic television. Since I live in a smaller market with limited union opportunities, I also work as a music editor on some movies.” […]

Recreating the Boston Marathon Bombing in ‘Patriots Day’

December 21, 2016

CineMontage recently attended a screening of Patriots Day, followed by a panel of major below-the-line craftspeople, including picture editor Colby Parker, Jr, ACE; re-recording mixer, sound designer and supervising sound editor Dror Mohar; and sound designer and supervising sound editor Piero Mura. […]

Sound Immersion at AES

October 5, 2016

The 141st Audio Engineering Society Convention, held recently in the Los Angeles Convention Center’s West Hall, attracted a record West Coast attendance, with a wide cross-section of brands showing their wares on the exhibition floor and companion demo rooms. […]

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