Oscar’s Favorite Re-Recording Mixers: 2015

February 1, 2015

This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]

Dane A. Davis on ‘The Matrix’

November 1, 2014

When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as the Wachowski Brothers) — had no idea what to expect. […]

What Does A Wormhole Sound Like?

November 1, 2014

It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s because it was pivotal that the organic nature of the aesthetic worked for soundscape and imagery alike.

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The Magic of Cinema Sound

May 1, 2014

The many people who create sound,are likewise invisible to the public — even as their contributions are central to making onscreen worlds. They too are part of the occult magic of cinema. […]

Andy Nelson: 2014 CAS Career Achievement Award

March 1, 2014

Re-recording mixer Andy Nelson, CAS, brings to his craft several decades of experience in the art of balancing dialogue, music and sound effects in an immersive soundtrack that supports the director’s storytelling vision […]

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