Sound editor Lon Bender, MPSE, knew that he needed to leverage his many years of experience to develop a time-conscious workflow for director Kaige Chen’s IMAX 3DChinese martial arts offering ‘Monk Comes Down the Mountain’ […]
This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]
When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as the Wachowski Brothers) — had no idea what to expect. […]
It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s because it was pivotal that the organic nature of the aesthetic worked for soundscape and imagery alike.
Re-recording mixer Andy Nelson, CAS, brings to his craft several decades of experience in the art of balancing dialogue, music and sound effects in an immersive soundtrack that supports the director’s storytelling vision […]
I have been a re-recording mixer for 33 years, and the idea of turning a production track into a full, complete and seamless sound track — that hopefully enhances and advances the project — still fascinates and excites me. […]