Scheduled to unveil on September 2 in its 10-episode entirety, Season 2 of Netflix’s hit series Narcos is expected to prove as popular as the initial offering — and probably will be viewed in extended binge-watching sessions […]
The films of this year’s Oscar nominees in the Sound Editing category range from the story of a run-and-hide rebellion in post-apocalyptic Australia, to emergent threats to galactic peace, through an astronaut left behind on Mars by his crew, a frontiersman fighting for survival after a bear attack, and the unrelenting war on drugs. […]
Realizing a complex film or TV soundtrack takes a lot of care and attention, together with an advanced degree of collaboration between sound effects editors and re-recording mixers specializing in the same. […]
Maciek Malish (Maciej Juliusz Malisz), 53, an acclaimed sound editor and winner of two Primetime Emmy Awards, passed away on September 12, 2015 after being struck by a car while riding his bicycle in Moorpark, California, near his home in Simi Valley. […]
This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for a roller-coaster ride inside a wormhole and a black hole (Interstellar), and put us in the mindset of a has-been movie star going out of his mind (Birdman). […]
When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as the Wachowski Brothers) — had no idea what to expect. […]
It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s because it was pivotal that the organic nature of the aesthetic worked for soundscape and imagery alike.