El Sonido de ‘Narcos’

August 1, 2016

Scheduled to unveil on September 2 in its 10-episode entirety, Season 2 of Netflix’s hit series Narcos is expected to prove as popular as the initial offering — and probably will be viewed in extended binge-watching sessions […]

Forget It, Jake

June 1, 2016

At a preview screening of the film Chinatown in summer 1974, an official from the City of Los Angeles Department of Water and Power is reported to have remarked, […]

Oscar Worthy Sound Editors: 2016

February 1, 2016

The films of this year’s Oscar nominees in the Sound Editing category range from the story of a run-and-hide rebellion in post-apocalyptic Australia, to emergent threats to galactic peace, through an astronaut left behind on Mars by his crew, a frontiersman fighting for survival after a bear attack, and the unrelenting war on drugs. […]

Maciek Malish

October 1, 2015

Maciek Malish (Maciej Juliusz Malisz), 53, an acclaimed sound editor and winner of two Primetime Emmy Awards, passed away on September 12, 2015 after being struck by a car while riding his bicycle in Moorpark, California, near his home in Simi Valley. […]

Oscar’s Favorite Sound Editors: 2015

February 1, 2015

This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for a roller-coaster ride inside a wormhole and a black hole (Interstellar), and put us in the mindset of a has-been movie star going out of his mind (Birdman). […]

Dane A. Davis on ‘The Matrix’

November 1, 2014

When sound designer/supervising sound editor Dane A. Davis, MPSE, attended the audience preview for The Matrix (1999), he — as well as directors Andy and Lana Wachowski (then known as the Wachowski Brothers) — had no idea what to expect. […]

What Does A Wormhole Sound Like?

November 1, 2014

It’s not surprising that director Christopher Nolan drove the sound to a greater extent than ever before on his first space adventure, Interstellar, opening November 7 through Paramount Pictures. That’s because it was pivotal that the organic nature of the aesthetic worked for soundscape and imagery alike.

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