Settling the Score
‘Music Editing for Film and Television’ gives ample attention to the artistry and personal character required to master this specialized profession. […]
‘Music Editing for Film and Television’ gives ample attention to the artistry and personal character required to master this specialized profession. […]
The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business. […]
What comes through in ‘Bobby’, from start to finish, is the trueness of all the performances and the passion that went into making it. […]
The initial rock ‘n’ roll films produced in the mid-1950s are more interesting today as artifacts than as art. […]
Foley was a name that stuck to the process, the location and the very special group of craftspeople who became, next to the physical actors, perhaps the most important performers in a motion picture. […]
‘Taking Woodstock’ is a movie of source music—and not just the kind that comes from a radio playing on a tabletop. Designed to blend seamlessly with the needle-drop tunes, a lot of that was provided by the “live” hippies. […]
A very brief history of the Oscar Award for Sound Editing. […]
Growing up in Connecticut, I had no idea how movies were made. I thought that they just “happened.” […]
I joined the Motion Picture Sound Editors’ Board of Directors, eventually becoming the first woman president in 1984, and also served on the Executive Committee of the Sound Branch of the Academy of Motion Picture Arts and Sciences. […]
I am still passionately involved—working with clients who require cost-effective methods of designing post-production facilities, recording studios, acoustics and home theatres internationally and am proud to be part of this strenuous but great business. […]
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