Mike James Gallagher and Anthony Vanchure Talk Sound on the Al Yankovic Biopic ‘Weird’
“I was just searching for accordions in my library.”
[…]
“I was just searching for accordions in my library.”
[…]
“What I found challenging and what required a journey was to find the sound of Pinocchio. Let’s start with wood, so you bang pieces of wood together and you go, ‘Well that doesn’t work.'” […]
The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]
By Rob Feld Vince Gilligan’s “Breaking Bad” and its spinoff, “Better Call Saul” (co-created with Peter Gould), played significant […]
“If I can make people watching it nervous and just a little uncomfortable, that could be something really cool.” […]
Ai is expanding choices for voice and dialogue manipulation in post-production. But what are the risks? […]
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]
Filmmaking is evolving into a parallel editing process. […]
How Soundflow Helps Simplify Tasks for Busy Users […]
Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t. […]
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