What Our Members Do: Marko Costanzo

December 1, 2017

“Foley artists create sounds in sync with actions seen on screen. We will make the footstep sounds for every character in a film, giving their steps the personality the actor portrays on camera.” […]

Catherine Harper on ‘Lost Highway’

November 22, 2017

Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’ […]

Breaking Traditional Sound Barriers

September 20, 2017

As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE). […]

Planet Waves – Walter Murch and the Sounds of the Solar System

August 4, 2017

The title of Lawrence Weschler’s book, “Waves Passing in the Night: Walter Murch in the Land of the Astrophysicists,” is complex and slightly mysterious, fitting for an exploration into the mind of legendary picture editor, sound designer, sound editor, re-recording mixer, writer and director Walter Murch, ACE, CAS, MPSE. […]

ADR Addenda

June 7, 2017

After the publication of my article, “Automatic for the People,” in the last issue of CineMontage (Q1 2017), I received […]

Sound Judgment

February 15, 2017

As the Motion Picture Editors Guild enters its 80th anniversary year, it’s important to recognize that 2017 also marks the 90th anniversary of the commercial ascendance of motion pictures with synchronized sound, which were called “talkies.” […]

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