Powering the New Era of Storytelling

June 1, 2016

It seems that no matter how fast workstation computers get, there are always new developments on the horizon that push the limits of what machines can do. That’s good, […]

Plugged-In for Picture: What Film Editors Are Using

July 1, 2014

In the MAY-JUN 14 issue of CineMontage, writer Mel Lambert surveyed sound designers, sound editors and supervising sound editors about the Digital Audio Workstation add-ons that they use to get the job done. In this issue, we’ve asked picture editors what their plug-in choices are. […]

A New Hue in Sound: Talent and Technology Coverage at Technicolor at Paramount

March 1, 2012

Representing one of the most exciting new sound post-production facilities to be built in Tinsel Town in several decades, the Technicolor at Paramount complex on Melrose Avenue in Hollywood comprises eight re-recording theatres, three ADR stages, a large Foley stage, eight sound design suites, 16 editorial suites, six DVD/ Digital New Media editing/encoding rooms and a pair of 7.1-channel HD video layback/ Transfer/QC rooms. […]

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