EditFest 2019: Here’s the Real Difference Between Cutting Scripted and Unscripted. (Hint: There Isn’t One.)
“There’s a misperception that if you cut scripted, you can’t cut reality.” […]
“There’s a misperception that if you cut scripted, you can’t cut reality.” […]
This was strike three for me — three shows in a row shut down unexpectedly. Two pre-pandemic and now this. […]
“We were trying to support Wanda’s emotional journey through the different eras.” […]
How the all-men-of-color picture editing team on ‘queen sugar’ found healing in a challenging year […]
Amy Duddleston and her crew went to work recutting what had been shot of all of the seven episodes, taking each one through a director’s and a producer’s cut remotely from home in Los Angeles, considering everything from script changes to pandemic concerns in terms of building larger scenes. “We were very lucky because it shaped the show,” she said. […]
The comedy from Apple TV+ grew into a sleeper hit during the nadir of the pandemic last year and has already been renewed for a second season, coming this summer. […]
Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t. […]
“Allyson is an extraordinary film editor with the most marvelous sense of musical rhythm that permeates her entire process of cutting and shaping motion picture,” says Mira Nair. […]
“Fran likes to talk. You just ask her a question and she can go on for 15 minutes. And part of the answer will not appear related to the question in any way.” […]
Mondshein was a longtime collaborator of legendary filmmaker Sidney Lumet, who, as the New York-based, Academy Award-nominated editor tells it, was persuaded that few things in cinema were as fascinating as a well-timed close-up. […]
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