Time is a huge challenge, with schedules for episodes getting shorter and shorter. I think it’s key to be honest with producers and post supervisors — if you’re drowning in material and feel you need extra support, say it! […]
The CBS-TV hit Big Brother, hosted by Julie Chen and now in its 18th season, has a winning formula: Viewers watch a diverse group of people living together in a house, as […]
The picture editors who worked on the original seasons on the NBC show The Apprentice reported that the image of its star, Donald Trump, was carefully crafted and manufactured in post-production to feature a persona of success, leadership and glamour, despite the raw footage of the reality star that was often “a disaster.” […]
The editors who put together ABC’s Dancing with the Stars each week readily concede that they have a massive job on their hands. Indeed, the seven offline editors who cut reams of story packages together that get rolled into two different types of live DWTS broadcasts each week. […]
I was fortunate to fall into picture editing. […]
The first time I heard my assistant editor referred to as an “AE,” the hairs on my back went up! I felt it was disrespectful and unbecoming — but why? After all, we call production assistants PAs without offense, so why not call assistant editors AEs? Well, for starters, PAs fetch coffee and deliver scripts, whereas assistant editors perform highly skilled creative and technical work in an artistic craft. […]
“I log and transcribe reality footage and interviews in real time. When I am logging footage, I am typing detailed descriptions of the scenes and noting what is important. When I am transcrib- ing, I am typing what is said in the interviews word for word.” […]
In February 2013, about a year before the formation of the Guild’s Membership Outreach Committee, I and the other editors and assistant editors of the fourth season of Swamp People (2010-present) returned to work under an IATSE contract after a four-day work stoppage that “flipped” the previously non-union show. […]
Editing in the world of Reality Television is nothing like editing scripted drama, comedy or MOWs in television. It’s not the craft that’s dissimilar; it’s the approach, terminology and producer structure. […]
We need members to be active in our organizing. […]
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