2001

Farrel Levy and Stan Salfas talk about television as a medium, why it can be fulfilling for an editor and how they nurture the work of their assistants.

Frank Urioste and Peter Honess talk about the movies most pivotal to their careers, the evolution of filmmaking and working in the executive suite.

Carol Littleton offered her impressions of the format, and described the advantages and pitfalls she encountered.

Kay Rose talks about the relationships between mixers and sound editors, her role as an independent and the power of sound to create drama and shape story.

Arthur Schmidt described how his approach to editing has varied.

Anne Coates told stories of cutting rooms and editorial decisions, but more than that, she showed that she still has a tremendous passion for the work she does.

Kay Rose’s approach to sound editing has always been through story.