What Our Members Do: Jillinda Palmer, Music Editor
“My biggest challenge is navigating the dynamics between producers and mixers.” […]
August 2019
Emmys 2019: Foley Team Alyson Dee Moore and Chris Moriana Make the Right Noise on ‘Barry’ and ‘Star Trek: Discovery’
“This isn’t the real world … That’s our challenge, right?” […]
Strictly Come Editing: How I Found a Career Through UK Reality Shows
The more I understood that there were people behind the camera as well as in front of it, the more I wanted to be a part of the industry. […]
Emmys 2019: How the Team Behind ‘Deadwood: The Movie’ Captured the Sounds of the Old West
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
EditFest 2019: Here’s the Real Difference Between Cutting Scripted and Unscripted. (Hint: There Isn’t One.)
“There’s a misperception that if you cut scripted, you can’t cut reality.” […]
Time’s Up Takes on Latest Frontier in Battle Against Sexual Harassment and Inequality: Post-Production
“It puts the company on notice. They can’t deny that it occurred.” […]
OPINION: Our Wasteful Habits Are
Killing the Environment. Here’s How
Post-Production Can Help
As post-production workers, we need to realize that the issue of waste and its impact on the environment cuts close to home. […]
Emmys 2019: Laura Weinberg Unpacks the Editing in Netflix’s ‘Russian Doll’
“Comedy is very subjective, and it’s so hard to do.” […]
Going Mobile – A Look Under the Hood of HP’s ZBook Studio x360 Convertible
I have seen and reviewed many workstations over the years, including desktops and mobile computers. However, the HP ZBook Studio x360 immediately struck me as something special. […]
Sound Editor Walt Bost Reveals His Process on ‘Veronica Mars,’ ‘Grace and Frankie’ and More
“It feels like the old Veronica, but a very adult Veronica…a darker, grown up Veronica,” Bost says. […]