Cut to Black: Hugh Robertson, Picture Editor
First African American to be nominated for an Oscar in Film Editing for “Midnight Cowboy” […]
February 2020
Cut to Black: Hortense “Tee” Beveridge, Picture Editor
Tee Beveridge’s editorial film career is important evidence of African Americans working in the early days of filmmaking. […]
David Heinz and William Hoy Talk About Editing Harrison Ford — and a CGI Dog — in ‘The Call of the Wild’
“We were continually changing the picture, changing the scene, because sometimes we didn’t even have two continuous shots together.” […]
Nat Sanders on Editing ‘Just Mercy’: Lost Sleep and a Delayed Honeymoon to Tell an ‘Emotional and Raw’ Tale
“I lost the most sleep and had the most revelations in the shower while working on this film.” […]
Cut to Black: Charles Little II, Picture Editor
Credits include unscripted and scripted series, currently “9-1-1: Lone Star” […]
Cut to Black: Joi McMillon, Picture Editor
The first Black Woman to be nominated for an Oscar for Best Achievement Film Editing for “Moonlight,” and won the 2017 Independent Spirit Award […]
Cut to Black: Jesse Dodd, ADR and Foley Re-recording Mixer
Credited on over 276 projects, including “Jurassic World” and was nominated for a 2020 CAS Award for “Veep” […]
Cut to Black: Greg Hedgepath, Supervising Sound Editor
Credits include “Straight Outta Compton” and “Queen & Slim,” and currently working on “Coming 2 America” […]
Cut to Black: Kimmy Gorden, Video Editor
Editor of Vice News Tonight and a leader in the campaign for the Guild’s first union contract at Vice Media […]
Cut to Black: Ernest Leif Boyd, Assistant Picture Editor
First credit was “The Manchurian Candidate” […]