From The National Executive Director
Cathy Repola: Moving Forward After Tough Contract Talks
The past few months have been tough, but they point to a bright future.
Year: 2021
Web Exclusives
Hank Corwin Talks Editing and Collaboration in ‘Don’t Look Up’
by Rob Feld Hank Corwin followed his college girlfriend to New York as a young man, wanting to be […]
Features
‘Inside Voices’ Panel Helps Industry Parents of Trans and Gender-Diverse Kids
“I was pretty clueless about what it means to be transgender, and so I didn’t respond well.”
Web Exclusives
Tanya Swerling Talks About Editing George Clooney’s ‘The Tender Bar’
“The minute I started, I knew I’d found my passion.”
Features
MPEG Announces Election Results for 2022 Board
Voters returned 1,584 ballots out of 8,745 mailed out, for a response rate of just over 18%, according to the election manager.
Web Exclusives
WHAT OUR MEMBERS DO: Kim Huston, Visual Effects Editor
“The pandemic has allowed us to realize we can change our minds. You can work your whole life toward something and then, after doing it a while, realize it’s not for you. And that’s ok.”
Industry
IATSE’s Area Standards Agreement Won by Four Votes in New Mexico
The IATSE Basic Agreement was ratified on Monday by just a few hundred votes in two guilds, and with a majority of members of the 13 West Coast locals actually voting no. But the Area Standards Agreement
Industry
Cinematographers Call for Ban on Firearms on Sets After ‘Rust’ Shooting
Dozens of Hollywood’s most prominent cinematographers banded together Tuesday to put a thoughtful argument behind a simple plea: “ban all functional firearms on set.” Among the 200
Features
WHAT OUR MEMBERS DO: Adam Pearson, Assistant Editor
“Assistant editing is really dualistic. There’s all the technical stuff: dailies intake, media organization and QC, prep for the editor, spot checks and vendor turnover, but it also requires the ability to flip and do a lot of creative work.”
Web Exclusives
Sabine Hoffman Talks of Editing a Black and White Journey in Period Drama ‘Passing’
“’Passing’ is a story of many layers—it invites another look, a second viewing, and with every round you notice other aspects.”
