“Not every project will have a smoking gun, but you won’t find it if you’re not allowed to look.”
April 2024
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Web Exclusives
Franzis Müller Tells How She Tracked Down the Best Cuts in ‘Death and Other Details’
by uncredited10 minutes read“I’m someone that likes to solve puzzles, or build Legos, that kind of king. The way I view editing is just having a lot of pieces together, with not necessarily …
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Web Exclusives
Legendary Editor Carol Littleton’s Contributions to Film and Labor Celebrated at Hollywood Event
by uncredited3 minutes readLittleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president …
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Features
Veteran Composer and Music Editor Shie Rozow Talks About His New Book Aimed at Pros and Fans Alike
by uncredited6 minutes read“Over the years, I noticed that many aspiring and novice filmmakers, as well as composers, music editors, and music supervisors recognize the need for music but struggle with figuring out …
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Web Exclusives
Spencer Averick Talks Editing the Epic Stories in Ava DuVernay’s ‘Origin’
by uncredited9 minutes readBy Patrick Z. McGavin Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick earned an Oscar-nomination for “13th” (2016), a documentary about the …
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FeaturesIn Memoriam
IN MEMORIAM: Peter Berkos, Sound Effects Editor, 1922-2024
by uncredited4 minutes readAUGUST 15, 1922 — JANUARY 2, 2024 A renaissance man. A gentleman. A portrait in dignity. This is how Academy Award-winning sound effects editor Peter Berkos — who passed away …
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Web ExclusivesWhat Our Members Do
WHAT OUR MEMBERS DO: Elizabeth Berganza Pozzi, Assistant Editor
by uncredited9 minutes read“‘A Black Lady Sketch Show’ will always hold a special place in my heart because it signified the change in my career path. I was moving from reality/docs to scripted …