Web Exclusives
Celia Beasley on Finding the Right Edits for Netflix Wilderness Drama ‘Penelope’
By Patrick Z McGavin The French-American picture editor Celia Beasley is a rebel who likes to cut against […]
Month: November 2024
Guild
Local 700 Taps Scott George As New National Executive Director
by Guild Staff The Board of Directors of the Motion Picture Editors Guild, Local 700 of IATSE, has voted to […]
Web Exclusives
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.”
Web Exclusives
Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.”
Web Exclusives
WHAT OUR MEMBERS DO: Paul Hackner, Z-2 (Sound Effects or Dialogue Editor)/ Y-1 (Re-Recording Mixer)
“My main advice is to form bonds with your colleagues and mentors. Ask questions, stay in touch, and be vulnerable.”
