Features
‘The Diplomat’: How Editor Gary Levy Managed That Season 2 Finale Cliffhanger
“The scene that I’m most proud of in the finale is Allison and Keri in the Map Room. It was an incredibly hard scene to edit.”
Month: June 2025
Features
LETTER FROM ALAN: Signs of Hope in Tough Times for Hollywood
We are going through a tough stretch. No one in Local 700 needs me to tell them that.
Web Exclusives
Une ‘Étoile’ Is Born: Tim Streeto and Zana Bochar Talk Editing on Ballet Series
“I don’t think Amy and Daniel think in terms of ‘comedy or ‘drama.’ They’re influenced by what they love. I remember talking to Amy about ‘The Sopranos’—it’s considered a drama, but it’s also really funny.”
Events
The 70th Quadrennial IATSE Convention: Looking to the Future of the Union
By Guild Staff Preparations for the upcoming 70th Quadrennial IATSE Convention are underway, with the aim of bringing hundreds together […]
Web Exclusives
‘The Better Sister’: Picture Editors Discuss How They Made the Murder Mystery Work
“This is a show I think people are going to want to watch from start to finish. It’s not going to suffer from series fatigue.”
Labor
KTLA Post-Production Workers Deliver Unanimous Vote to Unionize with Editors Guild
By Guild Staff Full-time and part-time Materials Managers at KTLA have voted unanimously to be represented by the International […]
Web Exclusives
Sound Mixers Larry Benjamin and Chuyue Christina Wen on Legal Thriller ‘Presumed Innocent’
By Su Fang Tham David E. Kelley’s courtroom miniseries “Presumed Innocent” opens with the confident and seemingly decent attorney […]
Web Exclusives
‘Fight Night’: Editing Team Splits Open the Mechanics of Kevin Hart’s Period Crime Caper
“Beyond the aesthetic, split screens offer a lot editorially. They simplify complex story beats.”
Web Exclusives
WHAT OUR MEMBERS DO: Louise Innes, Picture Editor
“I don’t believe technological advancements can replace storytelling; I prefer to see AI as a resource.”
