Rob Feld

Vince Gilligan said: “I couldn’t make ‘Pluribus’ without them … or at least I wouldn’t want to. It wouldn’t be the same show, that’s for sure.”

Before he became the lone American on the post team of the British financial drama “Industry,” picture editor Kyle Traynor took a winding path through prestige television.

“A script is a plan, but what plays on screen may not match what reads on the page. You have to stay open to restructuring so the intended drama or …

By Rob Feld   Brian Kates, ACE, is one of New York’s quintessential indie film editors, with a career shaped by both his deep love of post-production and his immersion …

by Rob Feld   Michael Berenbaum’s editing career took root in a basement. Long before he became a two-time Emmy-winning editor, Berenbaum was making Super 8 movies at home, using …

By Rob Feld   As a film-loving kid growing up in  the Bronx, Queens, and Brooklyn, with no industry connections, a career in film seemed remote and unreal to Eric …

“I don’t think Amy and Daniel think in terms of ‘comedy or ‘drama.’ They’re influenced by what they love. I remember talking to Amy about ‘The Sopranos’—it’s considered a drama, …

“This is a show I think people are going to want to watch from start to finish. It’s not going to suffer from series fatigue.”

“Beyond the aesthetic, split screens offer a lot editorially. They simplify complex story beats.”

By Rob Feld   For editors Julia Grove, Lai-San Ho, and Howard Leder, landing on Hulu’s drama series “Paradise” felt less like a new beginning and more like a homecoming. …