Jeff Buchanan’s path to editing his first feature film, director Michel Gondry’s ‘Be Kind Rewind’ has been an unconventional one, skipping some of the usual stops along the way.
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Joseph DeBeasi has worked as a music editor and composer. Throughout his career, he has developed a keen sense of his job, as it has developed over time, as technician, …
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Terry George certainly knows his way around an intense drama. His tales require perfect pitch and rhythm. To maintain that balance, George repeatedly turns to editor Naomi Geraghty.
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CineMontage learned of the editor’s appreciation for collaboration—be it with her mentors, directors or assistants.
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CineMontage recently visited Pulcini in his New York editing suite.
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Jim Jarmusch sat down with CineMontage to discuss his long-term collaborative relationship with editor Jay Rabinowitz, their work on the new film and his rather unconventional approach to film editing.
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One of the joys of working in theatrical professions is the episodic nature one’s life can take, Editor Jay Rabinowitz, ACE, is one who has had this experience in spades.
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“Nobody really had a sense of where the movie was going at the beginning. It was more a matter of putting together the things that felt right.” – David Zieff
