How the Editing Team Behind ‘Shantaram’ Made the Epic Story of Mumbai Streets Come to Life
“We were juggling a thriller, a love story, and the friendship at the heart of a journey of self-discovery, change, and redemption.” […]
“We were juggling a thriller, a love story, and the friendship at the heart of a journey of self-discovery, change, and redemption.” […]
“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece of paper.” […]
“I had worked at a movie theater where I saw hundreds of movies in front of audiences, from the late ’70s to the mid-’80s. I watched them so many times—things like ‘E.T.’—that I could tell you what the audience was going to do.” […]
“There was a real delicacy with how we wanted to handle everything, so we just had to figure [it] out… We didn’t want to color it in any manipulative way.” […]
“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.” […]
By Rob Feld Vince Gilligan’s “Breaking Bad” and its spinoff, “Better Call Saul” (co-created with Peter Gould), played significant […]
Robert Florio Has Cut 100 Episodes of the Cbs Hit ‘Ncis: Los Angeles.’ ‘I Wish I Had Gotten Into Series Many Years Earlier,’ Says the Onetime Indie-Movie Gofer. […]
“If the performance is fantastic, if the story is being told, why interrupt that with a cut?” […]
It’s Not All About the Kick to the Crotch. […]
“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]
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