Jacobson worked as a freelance director/cameraman shooting for ten years, until he discovered the Avid in 1994. That’s when he began editing. When Jacobson moved to New York, and reconnected with producer Mark Haefeli, his career in big-event, multi-camera editing really took form. […]
CineMontage recently spoke to Kyle Gilman about working with Hal Hartley, as well as his experience as assistant editor on three 2008 features. […]
Tass Filipos tells CineMontage about his experience as a music editor.
CineMontage asked Alex Kopit about his background and his approach to assistant editing. […]
Jeff Buchanan’s path to editing his first feature film, director Michel Gondry’s ‘Be Kind Rewind’ has been an unconventional one, skipping some of the usual stops along the way. […]
Joseph DeBeasi has worked as a music editor and composer. Throughout his career, he has developed a keen sense of his job, as it has developed over time, as technician, creative, diplomat and interpreter. […]
Terry George certainly knows his way around an intense drama. His tales require perfect pitch and rhythm. To maintain that balance, George repeatedly turns to editor Naomi Geraghty. […]
CineMontage learned of the editor’s appreciation for collaboration—be it with her mentors, directors or assistants. […]
CineMontage recently visited Pulcini in his New York editing suite. […]
Jim Jarmusch sat down with CineMontage to discuss his long-term collaborative relationship with editor Jay Rabinowitz, their work on the new film and his rather unconventional approach to film editing. […]
©2016-2025 Motion Picture Editors Guild
