Text-Based Editing, empowered by AI, starts by automatically transcribing your source media and generating accurate text transcripts of all the dialogue. By associating names to the different voices, Text-Based Editing will automatically identify who’s speaking. […]
I have seen and reviewed many workstations over the years, including desktops and mobile computers. However, the HP ZBook Studio x360 immediately struck me as something special. […]
Along with a compelling musical score, convincing sound effects are one of the most important audible ingredients in a motion picture or television production. In a movie with a chase scene through the downtown area of a city, all sorts of sounds are required, such as revving engines, flying helicopters and the rapid fire of automatic weapons. In an off-world, sci-fi movie, you might need the sounds of futuristic spaceships, laser beams and robots (maybe even a scary monster or two). Whatever the movie happens to be, if you’re the sound designer, you’ll need to create authentic effects so that audiences believe what they’re watching is real. […]
Sundance, the largest independent film festival in the United States, takes place every year in Park City, a funky little ski town nestled in the beautiful snow-covered mountains of Utah. This year, there were over 14,000 submissions to the festival. […]
For a picture editor working in independent films, there are few things more exhilarating than having your film accepted in a major film festival — especially if it does not yet have a distributor, and particularly if the fest is the premier showcase for indie films: the Sundance Film Festival in Park City, Utah. This year, the festival ran January 24 to February 3. […]
Motion capture, or MoCap, is the technique of capturing a human actor’s physical performance and applying the captured data to a 3D computer-generated character so that it moves in the same convincing, life-like manner. […]
Recently, Adobe unveiled important updates and enhancements to its suite of video applications in the Creative Cloud. Let’s take a look at some of the new features aimed at filmmakers and video professionals. […]
I’ve tried out a lot of Digital Audio Workstations (DAWs) for music production over the years. The first one I sunk my teeth into was Cubase but, along the way, I’ve bumped into others, each with its own cadre of devotees. […]
There are a lot of reasons why creative media professionals require a display on their desks that is capable of representing highly accurate colors. To start, animators must be confident that color choices will result in final renders that look how they expect them to look. […]
While two displays sound better than one, there were a few problems with this solution, the biggest being the physical gap between them. Yes, it was possible to take a window or a palette and stretch it across both displays, but it was practically impossible to work that way.
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