Committee News

Calling Out Anti-Mom Bias in the Workplace

On a Saturday in late June, over 40 women members gathered at the Guild’s LA headquarters for a roundtable entitled “#MomsToo.” Amy Adrion, who directed “Half the Picture” (2018), which “celebrates the groundbreaking work of female film directors and investigates the systemic discrimination” against women in Hollywood, was also in attendance. […]

Features

The ‘American Ninjas’ of Post

NBC’s ‘American Ninja Warrior’ (2009-present), now celebrating its 10th season with its May 30 premiere, is a monster success. The series features thousands of athletes/contestants from dozens of US cities, who compete for the title of American Ninja champion. […]

Awards

Oscar’s Favorite Sound Editors 2018

The Academy of Motion Picture Arts and Sciences’ list of nominees for the 2018 Oscars. In the sound editing category, nominations went to the teams behind ‘Baby Driver,’ ‘Blade Runner 2049,’ Dunkirk, ‘Star Wars: The Last Jedi’ […]

Features

Julia Wong Gets ‘The Last Word’

As the new comedy The Last Word premiered at the Sundance Film Festival January 24, editor Julia Wong, ACE, was recalling to CineMontage what a great experience she had cutting the movie. “Director Mark Pellington was a great collaborator and so much fun to work with,” she says. “We hit it off right away.” […]

Web Exclusives

Oscar’s Favorite Sound Editors: 2017

On January 24, the Academy of Motion Picture Arts and Sciences revealed its list of nominees for the 2017 Oscars. The sound editing teams behind Arrival, Deepwater Horizon, Hacksaw Ridge, La La Land, and Sully were all nominated. CineMontage spoke to these sound editors about the challenges and highlights of working on their respective movies. […]

Features

Technical Challenges

The CBS-TV hit Big Brother, hosted by Julie Chen and now in its 18th season, has a winning formula: Viewers watch a diverse group of people living together in a house, as […]

Features

Gurus of the Guild

Mentoring has always been key to the art and craft of editing. In the days before film schools, it was the only way to learn the techniques and practices of the so-called “invisible art,” […]