Web Exclusives
Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.”
Articles by Peter Tonguette
Book Reviews
BOOK REVIEW: A Trio of New Books Excavates Some Big Movies from the 1980s
Happily, there’s gold to be found on nearly every page of this engaging book.
Cover Story
Sounds Funny: All the Sound-Team Secrets Behind ‘Only Murders In The Building’
Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke.
Web Exclusives
Sandra Adair Pieces Together the Editing Behind Richard Linklater’s Hit ‘Hit Man’
“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.”
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.”
In Memoriam
IN MEMORIAM: Mo Henry, Negative Cutter, 1956-2024
Henry died on January 14 at the age of 67 in Los Angeles, where she had lived her entire life. She is remembered among her many colleagues not just for her talent and professionalism, but her dedication to her craft.
Behind the Scenes
For the Post-Production Team of HBO’s ‘Righteous Gemstones,’ the Devil’s in the Details
“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.”
Behind the Scenes
Affonso Gonçalves Talks Editing Todd Haynes’ Drama ‘May December’
“I can’t pick sides. That’s the great thing about being an editor.”
Behind the Scenes
Past Production: How the ‘Maestro’ Team Recreated the Music – and Marriage – of Leonard Bernstein
“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’”
Book Reviews
Book Review: How ‘The Exorcist’ Became THE Monster Horror Hit of the Early 1970s
The late filmmaker William Friedkin was fond of describing his 1973 horror masterpiece “The Exorcist” as being a meditation on “the mystery of faith.”
