Would you try to change your essential being? Well, in effect that’s precisely what’s being asked of us as editors, and the solution is to apply a rigorous course of treatment. […]
Although it is often considered something of a specialist art form, an appreciation of the intricacies of Foley walking can be extremely useful for any post professional working in film and TV. […]
Right, how do we want to do this? I know, let’s start gently with, ‘Welcome back to the show’ before the break…then we’ll go with the classic segue, ‘Someone else with high hopes is…’ Make sure you inflect at the end there. And we’ll finish with an epic, ‘Twenty nervous contestants…but only one…will change…his life…forever!!!’” […]
The differences in style between a UK unscripted TV show and its US genre equivalent is akin to swapping the frosty drizzle of London for the mid-winter sunshine of California. […]
We need to improve our movies, and the only people who can point us in the right direction are those who offer us their unrestrained opinions, painful as they may be. […]
How does one run a proper test screening? […]
What we do doesn’t achieve the kudos that our drama or cinema brothers and sisters do, but our work is still seen by millions of people all over the world and its technique is definitely worthy of more study. […]
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