Tee Beveridge’s editorial film career is important evidence of African Americans working in the early days of filmmaking.
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Cut to Black: Charles Little II, Picture Editor
Credits include unscripted and scripted series, currently “9-1-1: Lone Star”
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The first Black Woman to be nominated for an Oscar for Best Achievement Film Editing for “Moonlight,” and won the 2017 Independent Spirit Award
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Cut to Black: Jesse Dodd, ADR and Foley Re-recording Mixer
Credited on over 276 projects, including “Jurassic World” and was nominated for a 2020 CAS Award for “Veep”
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Cut to Black: Greg Hedgepath, Supervising Sound Editor
Credits include “Straight Outta Compton” and “Queen & Slim,” and currently working on “Coming 2 America”
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Editor of Vice News Tonight and a leader in the campaign for the Guild’s first union contract at Vice Media
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Cut to Black: Ernest Leif Boyd, Assistant Picture Editor
First credit was “The Manchurian Candidate”
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Cut to Black: Aziza Ngozi, Assistant Picture Editor
Currently assisting on Ava Duvernay’s “Cherish the Day,” airing now on OWN.
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Cut to Black: Kathleen ‘Kat’ McAuley, Assistant Editor
Credits include “Underground,” “Black Lightning” and “Better Things”
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Cut to Black: Terilyn A. Shropshire, Picture Editor
Winner of the 2005 ACE Eddie Award for “Redemption: The Stan Tookie Williams Story”
