
TECHNOLOGY: How AI Is Expanding Choices for Voice and Dialogue Manipulation
Ai is expanding choices for voice and dialogue manipulation in post-production. But what are the risks? […]
Ai is expanding choices for voice and dialogue manipulation in post-production. But what are the risks? […]
Filmmaking is evolving into a parallel editing process. […]
Remote workflow has revolutionized post-production: ‘You can pretty much be anywhere’ […]
In a time of pandemic, remote ADR is taking on increased importance. But there can be some pitfalls in getting the right dialog into a scene, especially when you can’t be in-person with the talent on a dub stage or studio. […]
How Soundflow Helps Simplify Tasks for Busy Users […]
AI technology (probably) isn’t the humanity-destroying rise of the machines that some fear—at least not in the world of post-production. It’s showing up all over the film industry, from helping to cast actors to achieving incredible visual effects transformations, like turning actor Josh Brolin into Thanos for “Avengers: Infinity War.” […]
Sound pros weigh in on the best equalization tools for the job […]
The Covid crisis has made work-from-home editing tools more important than ever. […]
I have seen and reviewed many workstations over the years, including desktops and mobile computers. However, the HP ZBook Studio x360 immediately struck me as something special. […]
Along with a compelling musical score, convincing sound effects are one of the most important audible ingredients in a motion picture or television production. In a movie with a chase scene through the downtown area of a city, all sorts of sounds are required, such as revving engines, flying helicopters and the rapid fire of automatic weapons. In an off-world, sci-fi movie, you might need the sounds of futuristic spaceships, laser beams and robots (maybe even a scary monster or two). Whatever the movie happens to be, if you’re the sound designer, you’ll need to create authentic effects so that audiences believe what they’re watching is real. […]
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