But picture editor Lauren Connelly, ACE (“Beef”), has been cutting with Avid’s ScriptSync for nearly 20 years, ever since her days as an apprentice editor — and long enough that …

“It becomes this amoeba of three editors working in conjunction with each other to create one storytelling style, which ends up being ‘The Pitt.’ It’s not that we’re all following …

“Alien: Earth” lead visual effects editor Glenn Cote and his team certainly had their hands full, liaising with eight different visual effects vendors and supplying them with everything needed to …

By Jennifer Walden   Steinberg’s SpectraLayers Pro 11 Advanced Spectral Audio Editor isn’t the typical sound restoration tool. This latest version includes AI-assisted processes that help editors separate mixed tracks …

By Jennifer Walden   In May 202 1 , Flawless released TrueSync, an AI-powered visual dubbing tool that helps refine localization results by generating new lip movements mapped to the …

By Jennifer Walden COVID hastened the postproduction industry’s adoption of remote collaboration, yet the existing remote editing and mixing tools rarely provided true satisfaction for creators, especially when dealing with …

Both peril and promise are seen as AI technology charges its way into the industry. 

By Jennifer Walden   For trailblazers, the way forward is  not a clear-cut path. Progress requires perseverance because it’s impossible to see what lies ahead — be it good or …

“You can’t just show up with backgrounds that a visual effects studio built, put the actors in front of it, and think you’re going to shoot it.”

‘Wait a minute. It doesn’t sound like it did on the mixing stage.’