Featured Stories
WHAT OUR MEMBERS DO: Tana Plaengprawat, Assistant Editor
“It happened by chance. Editing wasn’t always a clear passion for me.” […]
Featured Stories
Featured Stories
Guild Elections: Five Newcomers to Join 2025 Board of Directors
By Guild Staff Five newcomers will join the 2025 Board of Directors for the Motion Picture Editors Guild, according […]
Featured Stories
Celia Beasley on Finding the Right Edits for Netflix Wilderness Drama ‘Penelope’
By Patrick Z McGavin The French-American picture editor Celia Beasley is a rebel who likes to cut against […]
Featured Stories
Local 700 Taps Scott George As New National Executive Director
by Guild Staff The Board of Directors of the Motion Picture Editors Guild, Local 700 of IATSE, has voted to […]
Featured Stories
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
Featured Stories
Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
Featured Stories
WHAT OUR MEMBERS DO: Paul Hackner, Z-2 (Sound Effects or Dialogue Editor)/ Y-1 (Re-Recording Mixer)
“My main advice is to form bonds with your colleagues and mentors. Ask questions, stay in touch, and be vulnerable.” […]
Featured Stories
Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
Behind the Scenes
Kevin Tent Explains the Editing Process Behind Alexander Payne’s ‘The Holdovers’
“The Holdovers,” set over Christmas vacation in 1970 at a New England boarding school for boys, is the bittersweet portrait of complicated relationships among a grumpy teacher with a troubled past (Paul Giamatti), his callow student (Dominic Sessa) and a long-suffering dining-hall cook (Da’Vine Joy Randolph). Tent talked about editing for tone, tempo and rhythm, as well as his efforts on behalf of picture editors as the president of ACE. […]
