Emmys 2019: Laura Weinberg Unpacks the Editing in Netflix’s ‘Russian Doll’
“Comedy is very subjective, and it’s so hard to do.” […]
Featured Stories
Larry Jordan and the Many Joys of Editing Marlon Wayans’ ‘Sextuplets’
“This was a huge volume of footage, making it one of the most challenging projects of my career,” says Jordan. […]
Christopher Tellefsen Explains the ‘Badass’ Editing in ‘The Kitchen’ Starring Melissa McCarthy and Tiffany Haddish
“We very consciously wanted to create the late Seventies in Hell’s Kitchen, which was massively dirty. It was loud and it was nasty.” […]
Whisky, Sax and Darth Vader: How Phil McGowan Dressed Up His Home Mixing Bay
McGowan has tricked out his home mixing bay with various mementos from his past, including the old audio equipment he used to learn his craft, his diploma from Boston’s fabled Berklee College of Music and an impressive collection of Scotch whisky he acquired during his travels. […]
Alfred Hitchcock’s Secret Censorship Battles and How They Changed Film History
The director fought censors on both sides of the Atlantic from the start of his career to the very last. […]
What Our Members Do: Geraldo Gutierrez
“Watching ‘Lost’ was one of the reasons I wanted to get into audio post production.” […]