“I didn’t go to film school with a background in filmmaking at all. I’d never cut anything together. When I got into the editing room, I realized that this was where I was going to learn the most.” […]
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
“I think my passion shone through and that’s how I wound up working on Season One.” […]
“This is one of those things where you read it and it just works in a number of ways.” […]
“It’s a show that requires many elements, from graphics to sound design, and since the schedule is a bit tight from the recording moment to air day, the editors of the main show are divided between even and odd episodes. But as the weeks go by, we become one team.” […]
“Being part of a union matters. We, as a creative force, matter.” […]
The Nickelodeon post-production workers not only saw increases and improvements to their sick days, overtime, rest periods, paid time off, and dismissal pay, but many will now see substantial raises ranging from 9% to as high as 70% over the next year. […]
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