Daysha Broadway, ACE, who has led the picture editing team since Season One, was joined by Stephanie Filo, ACE, and Jessica Hernández, ACE, for Season Two. They’re the first all-women-of-color editing team to be nominated for and win an Emmy. […]
Where are you currently employed? I’m currently working for Sony Pictures Television. I also serve as an assistant editor representative […]
Ninety-eight percent of members voted yes; the turnout was 90%. […]
“Adequate sleep, reasonable turnaround times, meal breaks, sustainable health and retirement benefits and living wages are the basic building blocks of a healthy industry and benefit producers as well as crew,” ACE, the 61 year-old honorary society for film editors, wrote in a statement. […]
This is a historic moment for the rank-and-file members of the IATSE bargaining unit. […]
These thousands of post-production professionals logged on to hear National Executive Director Cathy Repola report on the ongoing IATSE Basic Agreement negotiations, which occur every three years and affect contracts in film and television. The turnout eclipsed the meeting during the last negotiation cycle in 2018 when about 2,100 members showed up in the ballroom of the Sheraton Universal. […]
Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th directorial feature, the explosively original noir comedy “Dog Eat Dog” (2016). […]
Hedström’s recent feature “Candyman,” directed by long-time collaborator Nia DaCosta, is a sequel to the 1992 slasher classic. […]
Patrick McMahon, ACE, cut many horror/suspense projects, including the original, “A Nightmare On Elm Street.” He’s also edited seven pilots (five of which went to series) and documentaries including HBO’s Emmy Award-winning “Baghdad ER.” […]
MPEG nominees won for work on projects ranging from the dramas “The Crown” and “The Queen’s Gambit” to comedies such as “Ted Lasso” and “A Black Lady Sketch Show.” […]
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