Featured Stories
The Joining: How the Editors Mix Suspense and Humor in ‘Pluribus’
Vince Gilligan said: “I couldn’t make ‘Pluribus’ without them … or at least I wouldn’t want to. It wouldn’t be the same show, that’s for sure.”
Interview
Features
Healing Work: How Alain Fleury Managed a Health Crisis During a Busy Editing Career
“I love bringing people together …. I saw during my cancer journey people coming together, supporting me, and I felt the love and support, from my family members to my friends.”
Features
Radical Thinking: How the Post Team Armed up for ‘One Battle After Another’
Leonardo DiCaprio stars as Bob Ferguson, a long-haired, amiable, long-retired radical whose past participation in the revolutionary group the French 75 has led him to adopt an underground lifestyle.
Features
When the Fires Struck, Austin Scott Pivoted on Behalf of his Altadena Community
“It’s incredible to realize that at the beginning of 2025, I had just started painting and drawing. And by the end of the year, I was published in the LA Times as one of eight featured holiday wrapping-paper artists. It was a fantastic journey.”
Features
Courage & Conviction: Neither Police Interrogation nor Tech Limitations Could Stop the Editor of the Oscar-Nominated Iranian Film ‘It was Just an Accident’
“Due to the sensitivity of the situation, we operate with a minimal crew. At the same time, our working method has always been to begin editing simultaneously with shooting.”
Features
Blues People: How the ‘Sinners’ Post Team Overcame Some Devilish Creative Dilemmas
“As an editor, you always want to — in all your cuts — show the director that you know what movie you’re making.”
Features
WHAT OUR MEMBERS DO: Ian Chase, Sound Editor/Re-Recording Mixer
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.”
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.”
Behind the Scenes
Affonso Gonçalves Talks Editing Todd Haynes’ Drama ‘May December’
“I can’t pick sides. That’s the great thing about being an editor.”
