Interview -

Healing Work: How Alain Fleury Managed a Health Crisis During a Busy Editing Career

April 6, 2026

“I love bringing people together …. I saw during my cancer journey people coming together, supporting me, and I felt the love and support, from my family members to my friends.”

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Radical Thinking: How the Post Team Armed up for ‘One Battle After Another’

March 4, 2026

Leonardo DiCaprio stars as Bob Ferguson, a long-haired, amiable, long-retired radical whose past participation in the revolutionary group the French 75 has led him to adopt an underground lifestyle.

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When the Fires Struck, Austin Scott Pivoted on Behalf of his Altadena Community

February 20, 2026

“It’s incredible to realize that at the beginning of 2025, I had just started painting and drawing. And by the end of the year, I was published in the LA Times as one of eight featured holiday wrapping-paper artists. It was a fantastic journey.”

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Courage & Conviction: Neither Police Interrogation nor Tech Limitations Could Stop the Editor of the Oscar-Nominated Iranian Film ‘It was Just an Accident’

March 4, 2026

“Due to the sensitivity of the situation, we operate with a minimal crew. At the same time, our working method has always been to begin editing simultaneously with shooting.”

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Blues People: How the ‘Sinners’ Post Team Overcame Some Devilish Creative Dilemmas

January 27, 2026

“As an editor, you always want to — in all your cuts — show the director that you know what movie you’re making.”

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WHAT OUR MEMBERS DO: Ian Chase, Sound Editor/Re-Recording Mixer

March 8, 2024

Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]

In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance

March 8, 2024

“It is a performance-driven film so there’s nothing to hide behind.”

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How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life

March 8, 2024

“One of the things we had to adapt very early on is the communication in the form of notes from Michael.”

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Affonso Gonçalves Talks Editing Todd Haynes’ Drama ‘May December’

January 23, 2024

“I can’t pick sides. That’s the great thing about being an editor.”

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OSAGE WISDOM: Lily Gladstone and Leonardo DiCaprio in “Killers of the Flower Moon.”

Thelma Schoonmaker Talks Editing Martin Scorsese’s ‘Killers of The Flower Moon’

February 1, 2024

“Marty never wants to repeat himself,” said Schoonmaker, the three-time Oscar-winning editor best known for her work with director Martin Scorsese on film classics such as “Raging Bull” and “Goodfellas.” “He gets a great new idea he wants to challenge himself with, and I’m being challenged with him,” she added. “There’s never any boredom.” Their latest challenge is the Apple-financed $200 million production, “Killers of the Flower Moon,” adapted by the writer Eric Roth and Scorsese from the 2016 non-fiction book by David Grann.

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