“It becomes this amoeba of three editors working in conjunction with each other to create one storytelling style, which ends up being ‘The Pitt.’ It’s not that we’re all following …

“It’s incredible to realize that at the beginning of 2025, I had just started painting and drawing. And by the end of the year, I was published in the LA …

“I wanted the movie to feel like New York in the late ‘90s.”

“We redressed the whole set to look like a 1970s newsroom. Greg Daniels and Michael Koman based it on Frederick Wiseman’s documentaries — the black-and-white film look, the texture, the …

Walter Murch, ACE is a filmmaking phenomenon. Now in his early 80s, he has worked over the past six decades on many landmark films that have benefited from his insightful …

The Guild is facing its greatest multi-pronged threats in our nine-decade history. Our federal leaders are determined to weaken or destroy American trade unions. Streaming has disrupted our traditional distribution …

“As an editor, you always want to — in all your cuts — show the director that you know what movie you’re making.”

By Jennifer Walden   Steinberg’s SpectraLayers Pro 11 Advanced Spectral Audio Editor isn’t the typical sound restoration tool. This latest version includes AI-assisted processes that help editors separate mixed tracks …

By Kristin Marguerite Doidge   When the HBO Max drama series “The Pitt” premiered last January, audiences and critics sensed almost immediately that something special was happening on screen. From …

By Kristin Marguerite Doidge   In 1987, Oakland, California, was “hella freaky.” At least that’s what the new film “Freaky Tales” tells us. Written and directed by Bay Area native …