For picture editors Roger Nygard, ACE, and Matthew Barbato, the current — and final — season of HBO’s Veep offers the opportunity to swim in the middle ground between comedy and drama that resonates with them both. […]
When the curtain rises on “Hollywood’s Biggest Night,” which it will again on Sunday, February 24 this year, the global audience tunes in to watch the Academy Awards live. People are eager to see the stars, the fashion, the elegance, the glitter and the gold in real time. […]
For a picture editor working in independent films, there are few things more exhilarating than having your film accepted in a major film festival — especially if it does not yet have a distributor, and particularly if the fest is the premier showcase for indie films: the Sundance Film Festival in Park City, Utah. This year, the festival ran January 24 to February 3. […]
by Mel Lambert • portraits by Martin Cohen Inspired by the Sabrina the Teenage Witch comic book series from Archie Comics […]
Longtime classic Disney character Donald Duck’s mischievous nephews Huey, Dewey and Louie made their very first appearance 82 years ago in a February 1937 Donald Duck Sunday newspaper comic strip (only three years after Donald himself was created). By October of that year, the triplets had their own strip, Donald’s Nephews, and six months later, in April 1938, the three ducklets made their animated debut in a cartoon short of the same name. […]
‘Welcome to Marwen’ is a Universal Pictures and DreamWorks Pictures feature starring Steve Carell that takes place in the real world, as well as a world populated by dolls. It was released by Universal on December 21. […]
On their first film as co-editors, Joi McMillon, ACE, and Nat Sanders, ACE, made a name for themselves in the independent filmmaking world with the runaway indie hit ‘Moonlight’ (2016), as did their writer-director, Barry Jenkins. […]
Although they are still in the frenzy of the final mix in early October, co-music editors Paul Rabjohns and J.J. George somehow find time to usher a visitor onto a Warner Bros. mixing stage to discuss their one-year-plus adventure editing the music track for a new superhero epic, James Wan’s ‘Aquaman.’ […]
Few directors were more familiar with the pleasures and perils of film editing than Orson Welles. […]
In a year that’s featured contentious debates over the #MeToo movement, ‘On the Basis of Sex,’ which opens on Christmas Day, is the most timely holiday present imaginable. […]
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