King Kong is Coming Back
‘King Kong’ (1933) was a pioneering film in many ways, including post production. […]
‘King Kong’ (1933) was a pioneering film in many ways, including post production. […]
The three filmmakers recently convened to discuss the concepts and the process behind the making of this film, as well as its relationship to the craft of editing. […]
Most recent award victors queried actually admitted, that if you’re good at what you do, you’ll get work––award winner or not. […]
After a decade of editing films at Spike Lee’s 40 Acres and a Mule, Leander Sales decided to instruct others in the craft. […]
Robert Wise was always a hard worker–whether he was lugging film cans, syncing up reels of sound, looking for that one particular shot to make a scene play, staying on budget, getting the best performance from an actor or any of the myriad other jobs and positions he filled in his 72 years in the industry. […]
“Let the editor do his job and cut it first before you come in.” Michael BerenBaum’s advice for directors […]
Those of us gathered in the audience on this early November evening did not need an introduction to the guest of honor sitting among us: the editor, Dede Allen, ACE. […]
Ken Burns has always acknowledged the large part Paul Barnes, his chief picture editor, has played in the smooth operation and artistic prominence of Florentine Films. […]
CineMontage learned of the editor’s appreciation for collaboration—be it with her mentors, directors or assistants. […]
by Robin Rowe One of the biggest challenges for assistant editor David Bilow––Joe Hutshing’s right-hand man––in the post-production work on Lions […]
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