Features
The Beat Goes On: Jillinda Palmer on the Joys and Challenges of Music Editing
By Kristin Marguerite Doidge Film music should be felt and not necessarily heard. That’s one of the central tenets music […]
Features
Book Reviews
Notes on Editing: Steve Hullfish Talks to Top Picture Editors in His Latest Book
By Peter Tonguette Interview books with filmmakers constitute a full-fledged literary subgenre, but among all of the one-on-one conversations that […]
Features
Jump Shot: Jessica Baclesse on Finding the Heart in Basketball Drama ‘Rez Ball’
‘It’s a classic sports drama, but what makes it special are the place and the people.’
Features
Cathy’s Column: A Fond Farewell From the National Executive Director
By Cathy Repola There are times when words are inadequate. This is one of those times, as I struggle to […]
Features
Tough All Over: Amid the Work Slowdown, Here’s How Members Are Managing
“We are definitely not back to the pre-strike era, and I don’t think we will ever get back to that point.”
Features
What’s The Story?: As Industry Shifts, Story Analysts’ Work Is More Critical Than Ever
“There’s been a lot of hype about AI, but it is moving faster than anyone had guessed.”
Features
Noises Off: What Will the AI Revolution Mean for the Sound Community?
By Jennifer Walden For trailblazers, the way forward is not a clear-cut path. Progress requires perseverance because it’s impossible […]
Features
How the Post Team of ‘Fallout’ Went Back to the Future
By Jeff Sneider ♦ Photos by Francine Orr The ruthless world of “Fallout” offers a delicate balance of sonic bombast […]
Cover Story
Reel Wellness: In a Time of Industry Turmoil, Post Veterans Need Time Out for Fitness
‘I know first-hand how badly editors need to keep moving.’
Features
WHAT OUR MEMBERS DO: Drew Mixon, Assistant Editor
“My job is to help make the editors’ day less hectic, so I assist them with graphics, sound work, and mostly technical problems that affect them. Sometimes an assistant editor gets the opportunity to edit a scene or two, but everything we do is to help the editor.”
