Dede Allen discusses some of the new pressures that have affected editors, the increasing use of editors as film doctors and the changing hierarchy of the cutting room for assistants. […]
Picture Editor Don Brochu, sound effects supervisor Bruce Stambler and music editor Chris Ledesma joined forces for this fireside chat that focused on collaboration and the importance of sound. […]
A fireside chat with Dede Allen. […]
Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s. […]
Dan Hanley and Mike Hill demonstrated a remarkable partnership and lack of personal ego, describing their process with humor and modesty. […]
Dede Allen took to digital editing with the same curiosity and determination that motivated her throughout her career. […]
Andrew Mondshein sits down with CineMontage to talk about his editing history and the impact that digital, non-linear editing will have on the craft. […]
Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview. […]
Alex Mackie came to the U.S. from England and joined Local 700 to edit Danny Cannon’s Judge Dredd, she probably had no idea what career trails she was blazing. […]
“I worked with the sound people creating the backgrounds for the radio station, commercials, and newscasts-it opened my eyes to post-production. That’s when I realized I’d like to be a music editor.” – Bill Abbott
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