
TECHNOLOGY: How Sound Crews Work Hard to Get the Right Levels on Theatrical Mixes
‘Wait a minute. It doesn’t sound like it did on the mixing stage.’ […]
‘Wait a minute. It doesn’t sound like it did on the mixing stage.’ […]
Text-Based Editing, empowered by AI, starts by automatically transcribing your source media and generating accurate text transcripts of all the dialogue. By associating names to the different voices, Text-Based Editing will automatically identify who’s speaking. […]
By Jennifer Walden Have you heard? Audiences are complaining about unintelligible dialogue in non-theatrical content on their TVs, about […]
There certainly have been growing pains in the transition to remote editing, but it’s becoming easier to embrace this workflow as the process evolves. […]
Here, we consider products from three of the leading developers of processor and plug-in design: Sound Particles, iZotope/Exponential Audio and Liquid Sonics. […]
Ai is expanding choices for voice and dialogue manipulation in post-production. But what are the risks? […]
Filmmaking is evolving into a parallel editing process. […]
Remote workflow has revolutionized post-production: ‘You can pretty much be anywhere’ […]
In a time of pandemic, remote ADR is taking on increased importance. But there can be some pitfalls in getting the right dialog into a scene, especially when you can’t be in-person with the talent on a dub stage or studio. […]
How Soundflow Helps Simplify Tasks for Busy Users […]
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